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聚焦中国艺术家形象大使——容三顺

来源：人民日报欧洲网作者：时光不在时间：2020-10-28 16:50

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容三顺，字贤道、1945年出生于广东台山，高级经济师、中国当代著名书法家、中国互联网联盟艺术总监、广东省书法家协会会员、阳江市书法家协会名誉主席。

作品和传略被编入《百年经典一中国书法全集》、《世界名人录》、入编《瞭望》杂志专刊，编撰的《中华脊梁》特辑、《中国美术年鉴》《新中国美术家大典》等七十多种书刊。

多年来临池不辍，致力于追求继承和发展的完美结合，逐步形成了自己独特的艺术风格，深得社会各界的赞赏和好评。容三顺先生在中国当代书坛可谓卓然独步、自成一家。其书具晋法之气象正大、雄秀考究，颜体之筋骨遒劲有力、情融笔墨，草圣怀素之气势贯通、神采动人。在形式上，其书法取其笔意，即取今之“书写简约方便”，而少今之“笔画连绵同回绕”.此一形式顺应时代要求，为专业人士和普通大众所共赏，体现了文艺为人民服务的宗旨。

闭户著书真岁月，挥毫落纸如云烟。容三顺老师的书法创作是其人生积累的自然流露，是其生命激情的自由表达，满纸“驰毫骤墨列奔驷”，好似笔歌墨舞，更像是灵魂与灵魂的对话。缠绵的线条，好似云龙游天。草草的逸笔，成就了满纸云烟，虽任情使然，却又顾盼生姿，有旋律、有激情、有情趣、有韵律，令人目不暇接，俨然一副大家之气象，凝神静观容三顺老师的一幅幅作品，留白处亦皆是妙意：其笔墨未到处，亦有灵气无中行，留白写满静远与幽深;整体而言彰显着空灵意境与笔墨情趣的相得益彰，连成一片气韵，在一幅幅作品中相互涌动：“文移北斗成天象，日捧南山入寿杯”写气不写形，笔笔惊风雨，辅之以四尺的“寿”字，天然去雕饰，巧拙了无痕，在温暖的阳光下，好山好水沐浴清风，最需要的就是一个身体的健康，这便是现实社会可遇不可求的一个世外桃源，“为学大益，在自求变化气质”这就是容三顺老师的气。

中国人说气，是既抽象又形象的。所谓气，可以理解为生命之气。黄宾虹晚年时期，他早年对自然的观察、写生，对文化的研究都已成过去。所有的绚烂归于他的平实，达到了“无象无形”的主观挥洒的忘我境界。从他的画我们看到的，是大。他没有雕琢于一个小的东西，他没有拘泥于一个小的形象，然而好多意想自在其中。反观容三顺老师的作品可以看出，他以籀篆笔意写行书法是时下追求的最大成功，用笔豪迈粗狂，苍凉的飞白仿佛诉说岁月的侵蚀，笔墨的浓淡干湿显示着其个人情感和参悟，写出了简洁中的厚重，潇洒中的苍凉，与时俱进的古朴典雅。书之妙道，就是写性情，写涵养，写丰富的大自然，写变化多姿得万物景象，书法家就是应当追求这样的效果，用线条来启迪人们的心灵。

Rong Sanshun was born in Taishan, Guangdong Province in 1945. He is a senior economist, the Artistic Director of the China Internet Federation, a member of the Guangdong Calligraphers Association and the Honorary Chairman of the Yangjiang Calligraphers Association. His works and biographies have been included in the complete works of Chinese calligraphy, a century-old Classic, the World Book of famous people, and a special issue of the magazine outlook, he has edited more than 70 kinds of books and periodicals, such as the special edition of Chinese Ridge and beam, the Chinese Art Almanac and the great dictionary of new Chinese artists.

Art Review:

Over the years, the company has devoted itself to the perfect combination of inheritance and development, and has gradually formed its own unique artistic style, which is highly appreciated and praised by all sectors of society. Mr. Rong Sanshun is unique in contemporary Chinese calligraphy. The book with Jin Law of the atmosphere is big, handsome and elegant, the body of the muscles strong, emotional fusion ink, Cao Shenghuaisu momentum through, charming. In form, his calligraphy is simple and easy to write, while his strokes are continuous and convoluted. This form conforms to the requirements of the times, is appreciated by professionals and the general public, and embodies the purpose of serving the people with literature and art.

Closed Books really years, waving a drop of paper like smoke. Rong Sanshun's calligraphy creation is the natural expression of his life accumulation and the free expression of his life passion. It is full of paper, like writing, singing and dancing, more like a dialogue between soul and soul. Lingering lines, like a dragon in the sky. The cursive brushwork, which is full of paper and smoke, is not only the result of emotion, but also the result of looking forward to life. It has a melody, passion, interest and rhythm, which makes one unable to catch sight of anything else. It is like looking at the works of Sanshun, a teacher, the blank space is also full of wonderful ideas: the writing is not everywhere, there is also the spirit without the line, the blank space is full of quiet and deep; on the whole, it shows the balance between the artistic conception of the empty space and the sentiment of the writing, connecting into a aura, in the works of each other surging: "Wenyi Beidou all day, holding the South Mountain into the cup every day, " writing gas does not write shape, the pen surprised the wind and rain, supplemented by four feet of "Shou" character, natural to decorate, clever without trace, in the warm sunshine, good mountain and good water bath breeze, the most need is a physical health, which is the reality of society can not be met a Xanadu, "for learning, self-change temperament, " this is the spirit of the teacher Rongsanshun.

The Chinese say Qi is both abstract and figurative. The so-called Qi can be understood as the Qi of life. In his later years, Huang Binhong's early observations of nature, his sketches, and his study of culture are all gone. All the gorgeous to his plain, to achieve the "invisible" of the subjective exertion of the state of self-indulgence. From what we can see from his paintings, it's big. He is not carved in a small thing, he is not stuck in a small image, but a lot of wishful thinking in it. Looking back at the work of Rong Sanshun, we can see that his calligraphy is the greatest success he pursues nowadays, with bold and bold brush strokes and a bleak white color that seems to tell of the erosion of time, the thick and thin dry and wet ink shows its personal feelings and comprehension, writing out the simplicity of the heavy, natural and unrestrained in the desolation, with the times of the simple elegance. The wonderful way of a book is to write about temperament, to write self-restraint, to write about the rich nature, to write about the changing scenery of all things. Calligraphers should pursue such effects and use lines to enlighten people's minds.